The book review of Maggie Smith’s new collection Goldenrod talks about finding universal truths in times of distress. Poetry can free the spirit of the weight of the world and “for more than a year now, the distress of social distancing, lockdown, and a rapidly mutating virus has overshadowed our public lives. In her new collection Goldenrod, Pushcart-Prize winning poet MaggieSmith responds to this destabilization by turning inward and asking — is the universal truth what we think it is?”
Contributor, Sunni Brown Wilkinson finalist of the 2013 Atlantis Award, was interviewed for the release of an award-winning chapbook The Ache and the Wing, Editorial Intern Nikki Lyssy sat with Wilkinson to discuss the relationship between hope and loss, the many different selves we live, and honoring grief through remembrance. Click here for the full interview.
In this excerpt Sunni has this to say about the beginning of the collection:
Sunni Brown Wilkinson: In the opening poem (“Rodeo”), something in the speaker is broken. I don’t say what outright, but it becomes apparent in the poems directly following: we had just lost our youngest son. I did feel like my body was literally broken. I was recovering from my fourth C-section, I was 40, and the baby we had anxiously been awaiting was stillborn. I’d never known how physically crippling grief could be, and I barely had the strength to get through each day. And in that opening poem, there actually aren’t any birds, just a hummingbird hawk moth, which looks like the tiniest bird but is in fact an insect. So in that first poem, I would say there’s just heaviness and struggle, no wingspan, very little to lift the body toward lightness.
Sunni Brown Wilkinson‘s poetry can be found in Western Humanities Review, Sugar House Review, Hayden’s Ferry Review, SWWIM, Crab Orchard Review and other journals and anthologies. She is the author of The Marriage of the Moon and the Field (Black Lawrence Press 2019, finalist for the Hudson Prize) and The Ache and the Wing (winner of Sundress’s 2020 Chapbook Prize). She also won New Ohio Review’s NORward Poetry Prize and the 2020 Joy Harjo Prize from Cutthroat: A Journal of the Arts. She teaches at Weber State University and lives in northern Utah with her husband and three sons.
Michelle is available for one-on-one mentoring sessions and manuscript reviews of poetry, nonfiction, & fiction. The Poet’s Billow provides one-on-one study with published, working writers and professors who will cater lessons, assignments, and readings to you individually. Mentoring integrates today’s technology with traditional immersions in reading, writing, and discussion to allow students and mentors to develop close relationships and conduct deep discussions about the art of poetry and the act of writing it. Specific foci and scheduling are designed to fit your schedule and needs and can range from one-time meetings to extended, regular interactions.
There is only a short time left to submit to the Atlantis Award. Send us your best ground shaking poetry. Win money and be featured in an interview on the Poet’s Billow website. We nominate for post publication prizes. The deadline has been extended to November 15th.
The Atlantis Award is given for a single best poem. The winning poet receives $300 and will be featured in an interview on The Poet’s Billow web site. The winning poem will be published and displayed in the Poet’s Billow Literary Art Gallery. Up to five finalists will be considered for publication.
We nominate for the Pushcart Prize, Best of the Net Anthology, and The Best New Poets Anthology.
An excerpt from our newly published interview with Alison Palmer.
“I want the reader to feel empathy towards the hunter and the hunted. I am an extremely hopeless and a very curious romantic, and I enjoy learning the psychology behind why we put ourselves through the rigors of dating, desire, marriage, monogamy, divorce. I’ve come to the conclusion that we are both utterly defenseless and relentlessly ruthless toward one another (and nature), ideas that drive the collection as a whole.”
Alison Palmer is the author of the poetry chapbook, The Need for Hiding(Dancing Girl Press, 2018). She earned an MFA in Poetry from Washington University in St. Louis and a B.A. in Creative Writing from Oberlin College, where she was the recipient of the Emma Howell Memorial Poetry Prize. The Poet’s Billow chose Alison for their 2015 Atlantis Poetry Prize, and in 2017 she was a Pushcart Prize and Best New Poets nominee. Her poems have appeared in FIELD, The Los Angeles Review, River Styx, Bear Review, Glass, The Cortland Review and elsewhere. Alison currently lives and writes just outside Washington, D.C.
The Atlantis Award is given for an outstanding poem. The winning poet receives $250 and will be featured in an interview on The Poet’s Billow web site. The winning poem will be published and displayed in the Poet’s Billow Literary Art Gallery. Up to five finalists will be considered for publication.
We nominate for the Pushcart Prize, Best of the Net Anthology, and The Best New Poets Anthology.
To enter the Atlantis Award see our guidlines here.
Hello Poets! The Poet’s Billow is extending the deadline for the Pangaea Prize to June 1st.
The Pangaea Prize is awarded for the best series of poems ranging between two and up to seven poems in a group. Judging will be based on poems as individual entities as well as their cohesiveness – that can be in terms of common themes, images, narrative or however else you would like to group your poems. All poems must be previously unpublished. There are no restrictions to length or style.
The winning poet receives $100 and will be featured in an interview on The Poet’s Billow web site. The winning poems will be published and displayed in the Poet’s Billow Literary Art Gallery. Finalists will also be considered for publication.
We nominate for the Pushcart Prize, Best of the Net Anthology, and The Best New Poets Anthology.
The Poet’s Billow, an organization dedicated to increasing the exposure of poetry, is accepting submission for the Bermuda Triangle Prize – the deadline is April 30th.
a forcible overthrow of a government or social order in favor of a new system.
a dramatic and wide-reaching change in the way something works or is organized or in people’s ideas about it.
an instance of revolving.
the movement of an object in a circular or elliptical course around another or about an axis or center.
We are open to interpretations on the theme. It is up to you how literal or abstract you would like to play on the chosen theme.
Each winning poem will receive $50, for a total cash prize of $150. The poems will be published and displayed in the Poet’s Billow Literary Art Gallery. We nominate for the Pushcart Prize, Best of the Net Anthology, and The Best New Poets Anthology.