Send us your poems on the theme of change. The Bermuda Triangle Prize is given to three poems on a theme from up to three different poets.
Current Theme: Beginning (2021-2022 Theme)
We are open to interpretations on the theme: person change, spiritual change, chemical change, morphing into a giant planet-eating robot.
Send us your interpretation however literal or liberal. Each winning poem will receive $50, for a total cash prize of $150. The poems will be published and displayed in the Poet’s Billow Literary Art Gallery. Up to five finalists will be considered for publication. We nominate for the Pushcart Prize, Best of the Net Anthology, and The Best New Poets Anthology.
Do you want friendly honest feedback on your poetry without having to commit hundreds of dollars on month long seminars, travel, or packed zoom meetings where all the participants windows are the size of dimes? Then join the intimate, small-group sessions of our Wednesday Workshops. No need to commit to a month of sessions! Join us week to week at your convenience.
Wednesday Workshop is a meeting held weekly where participants share one poem which receives feedback from other workshop participants and a workshop leader who is an award winner poet. These are small groups, so space is limited.
Time: Every Wednesday @ 12:00pm PST/ 3:00pm EST
Length: 1 hour Session
Size: 1-5 participants
Cost: $35
How to Register:
Send an email with the date of a workshop to reserve your space to Thepoetsbillow[at]gmail[dot]com or through our contact page
Poetry will be uploaded in google classroom during the workshop. You do not need a google ID or gmail account to join.
Read our new interview with winner of the 2017 Pangaea Prize Marjorie Stelmach, author of The Angel of Absolute Zero, upcoming in 2022 from Cascade.
Here is an excerpt:
“We carry time inside us, coded in ways we can’t begin to decode. By trying to make meaning of the little piece of time we individually carry, and, of course, failing, we tend to maintain a microscopic view, which isn’t, perhaps, the best thing for producing a clear-eyed vision. There is, I believe, a larger text, but that requires the occasional shift to the telescope or to imagination or prayer. I try to shift back and forth, if possible, from the personal to the cosmic – which brings with it a sense of vertigo.”
The Poet’s Billow has selected Emily Light, Becca Rae Rose, and Michael Samra as the winners of 2021 Bermuda Triangle Prize. The winning poems along with a selection of the finalists can be read on the 2021 Bermuda Triangle announcement page.
We also named a number of semifinalists. This was a difficult list to make and hard decisions were made on every level of judging. We receive so many great poems and don’t have the resources to publish them all.
The Poet’s Billow is also now welcoming submissions to the 2022 Bermuda Triangle Prize and the Pangaea Prize. If you would like to stay updated on contests and publications in the future you can join us on Facebook and Twitter.
There are only a few days left to submit to the Atlantis Award. Deadline is November 30. Submit up to 3 poems. We nominate for the Pushcart Prize, Best of the Net Anthology, and The Best New Poets Anthology.
The Atlantis Award is given to a single best poem. The winning poet receives $300 and will be featured in an interview on The Poet’s Billow web site. The winning poem will be published and displayed in the Poet’s Billow Literary Art Gallery. Finalists will be considered for publication.
The Poet’s Billow is happy to announce that Ana Pugatch’s poem “Dissolution” was chosen as the winner of the 2020 Atlantis Award. Below is our full list of finalist and semifinalist. We also published two runner-ups whose work is amazing, so please be sure to check those out.
Ana Pugatch is a Harvard graduate who taught English in China and Thailand for several years. She recently completed her MFA at George Mason University, where she was awarded the ’20-’21 Poetry Heritage Fellowship. Her work has been featured in publications such as The Los Angeles Review, Pinesong, and Literary Shanghai. She lives in Raleigh with her partner and son.
Finalists: Eileen Malone – “They Call Me Noncompliant” Christopher Vaughan – “Amid the Climate Crises, I Address My Twins, at a Year Old” Nkasiobi Mbonu – “A Sun Flowers Choice” Pea Kay – “The Birth of a Galaxy” Lee Alexander – “Bem Vinda a Florianopolis”
Semifinalist: Jude Bradley Chelsea Carey Volomi Jeanne Michelle Kogan Chan Krisna Chime Lama Chi Kyu Lee Jerry Lieblich Karen Loeb Mammatli Molefi Diana Pinckney Ellen Reynard Natalie Voltz
The Atlantis Award is given to a single best poem. The winning poet receives $300 and will be featured in an interview on The Poet’s Billow web site. The winning poem will be published and displayed in the Poet’s Billow Literary Art Gallery. Finalists will be considered for publication. *The contest deadline has been extended to November 30th*
We nominate for the Pushcart Prize, Best of the Net Anthology, and The Best New Poets Anthology.
Contributor, Sunni Brown Wilkinson finalist of the 2013 Atlantis Award, was interviewed for the release of an award-winning chapbook The Ache and the Wing, Editorial Intern Nikki Lyssy sat with Wilkinson to discuss the relationship between hope and loss, the many different selves we live, and honoring grief through remembrance. Click here for the full interview.
In this excerpt Sunni has this to say about the beginning of the collection:
Sunni Brown Wilkinson: In the opening poem (“Rodeo”), something in the speaker is broken. I don’t say what outright, but it becomes apparent in the poems directly following: we had just lost our youngest son. I did feel like my body was literally broken. I was recovering from my fourth C-section, I was 40, and the baby we had anxiously been awaiting was stillborn. I’d never known how physically crippling grief could be, and I barely had the strength to get through each day. And in that opening poem, there actually aren’t any birds, just a hummingbird hawk moth, which looks like the tiniest bird but is in fact an insect. So in that first poem, I would say there’s just heaviness and struggle, no wingspan, very little to lift the body toward lightness.
Sunni Brown Wilkinson‘s poetry can be found in Western Humanities Review, Sugar House Review, Hayden’s Ferry Review, SWWIM, Crab Orchard Review and other journals and anthologies. She is the author of The Marriage of the Moon and the Field (Black Lawrence Press 2019, finalist for the Hudson Prize) and The Ache and the Wing (winner of Sundress’s 2020 Chapbook Prize). She also won New Ohio Review’s NORward Poetry Prize and the 2020 Joy Harjo Prize from Cutthroat: A Journal of the Arts. She teaches at Weber State University and lives in northern Utah with her husband and three sons.