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Contributor, Sunni Brown Wilkinson finalist of the 2013 Atlantis Award, was interviewed for the release of an award-winning chapbook The Ache and the Wing, Editorial Intern Nikki Lyssy sat with Wilkinson to discuss the relationship between hope and loss, the many different selves we live, and honoring grief through remembrance. Click here for the full interview.
Download your copy of The Ache and the Wing for free here!
In this excerpt Sunni has this to say about the beginning of the collection:
Sunni Brown Wilkinson: In the opening poem (“Rodeo”), something in the speaker is broken. I don’t say what outright, but it becomes apparent in the poems directly following: we had just lost our youngest son. I did feel like my body was literally broken. I was recovering from my fourth C-section, I was 40, and the baby we had anxiously been awaiting was stillborn. I’d never known how physically crippling grief could be, and I barely had the strength to get through each day. And in that opening poem, there actually aren’t any birds, just a hummingbird hawk moth, which looks like the tiniest bird but is in fact an insect. So in that first poem, I would say there’s just heaviness and struggle, no wingspan, very little to lift the body toward lightness.
Sunni Brown Wilkinson‘s poetry can be found in Western Humanities Review, Sugar House Review, Hayden’s Ferry Review, SWWIM, Crab Orchard Review and other journals and anthologies. She is the author of The Marriage of the Moon and the Field (Black Lawrence Press 2019, finalist for the Hudson Prize) and The Ache and the Wing (winner of Sundress’s 2020 Chapbook Prize). She also won New Ohio Review’s NORward Poetry Prize and the 2020 Joy Harjo Prize from Cutthroat: A Journal of the Arts. She teaches at Weber State University and lives in northern Utah with her husband and three sons.
Marlo Starr writes and teaches in Baltimore. She holds an MFA from the Writing Seminars at Johns Hopkins and a PhD in English from Emory University. Her poetry and prose have appeared or are forthcoming in BOAAT, The Threepenny Review, Berfrois, Queen Mob’s Teahouse, and elsewhere.
Peter Filkins is the author of four previous collections of poetry – What She Knew (Orchises 1998), After Homer (Braziller 2002), Augustine’s Vision (New American Press 2010), and The View We’re Granted (Johns Hopkins 2012), for which he received the 2013 Sheila Motton Award for a best book of poetry from the New England Poetry Club. He has also translated the collected poems of Ingeborg Bachmann, Darkness Spoken (Zephyr 2006) and three novels by H.G. Adler – Panorama, The Journey, and The Wall, published by Random House. His biography, H.G. Adler: A Life in Many Worlds, was published by Oxford University Press in 2019. His work has received the Stover Award in Poetry from Southwest Review, a Finalist Award in Poetry from the Massachusetts Cultural Council, an Outstanding Translation Award from the American Literary Translators Association, a Berlin Prize from the American Academy in Berlin, an NEH Fellowship, a Leon Levy Center for Biography Fellowship, and residencies at the MacDowell Colony, Yaddo, The Millay Colony, the James Merrill House, and the Tyrone Guthrie Centre. His poems, essays, and translations have appeared in The American Scholar, The New Republic, Poetry, The Yale Review, The New Criterion, Partisan Review, The Paris Review, The N.Y. Times Book Review, and numerous other publications. He serves as the Richard B. Fisher Professor of Literature at Bard College at Simon’s Rock and also teaches translation at Bard’s main campus in Annandale-on-Hudson, NY.
the poet's billow 